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Welcome to the John Scarland website.

This site carries much my work and journals over the years and right up to the present.

Do contact me with your thoughts and comments about the work and any requests for more information will receive prompt attention.

 

Washing & dressing PDF Print E-mail
Written by john scarland   
Friday, 18 May 2012 00:00
washing

Washing and dressing

This is post exhibition wallowing in the past!

Before I gather my strength up to move on I look around

This is a multiple take on morning ablutions. Not, I trust in a voyeuristic way, more sensitivity and understanding, at lea [ … ]

 
Woman with a cigarette PDF Print E-mail
Written by john scarland   
Monday, 14 May 2012 00:00
woman with a cigarette
Woman with a cigarette

What an extraordinary photo! When I saw it some years ago it was taken at once to the studio for my resource folder. The translation into painting is something else - time passes. When the moment comes the work begins without thought, only intuition. Paper, yellow gouache a [ … ]

 
Archive 01 PDF Print E-mail
Written by john scarland   
Friday, 11 May 2012 00:00
nocturnal-dance

Nocturnal Dance

A good client of mine bought this gouche study last week. I tend to disregard old pieces like this untill someone stumps up real money for it and then I look again.

I am at the moment looking forward, thinking about the next move, what to paint and how to go about it. But once agai [ … ]

Last Updated on Friday, 11 May 2012 06:23
 
Archive 02 PDF Print E-mail
Written by john scarland   
Wednesday, 16 May 2012 00:00
work01

Working

The detail above is from a study for 'picking peas', an idea that occupied me for some time during the mid 90s. The idea continued into 2011 when a series then contained a 'working' module and this early material was much in mind.(see also)

More recently at last weeks studio show I sold a [ … ]

Last Updated on Thursday, 10 May 2012 12:47
 
Samuel Palmer PDF Print E-mail
Written by john scarland   
Wednesday, 09 May 2012 07:17
drawing

 

I well remember my amazement when, years ago, I first lifted the old red velvet covers that protected the drawings and paintings of Samuel Palmer in the filtered light of the old Ashmolem Museum in Oxford. Sure, I knew what I was looking for, I'd seen them in a book but those little jewe [ … ]

Last Updated on Wednesday, 09 May 2012 08:07
 
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